With a new generation of filmmakers making their voices heard each year, themes which previously were totally undiscussed are implemented in contemporary cinema. Body dysmorphia would never be showcased on screen even thirty years ago, but Empire Waist shines a bright spotlight on the subject. It takes an unflinching look at how women are perceived in today’s society and simultaneously remains consistently positive. Strong performances, witty dialogue, and a heartwarming center makes it a must-see this year.

Lenore (Mia Kaplan) tries her hardest to be invisible at school. She is unhappy with her weight, and merely wants to be left alone. When a school project forces her to interact with Kayla (Jemima Yevu), another plus-sized girl, Louise reluctantly admits that she designs clothes. With Kayla’s endless persistence, Lenore makes outfits for other overlooked girls in school, inspiring a budding friend group based on confidence in their mutually fractured self image. With help from her eccentric father (Rainn Wilson), Lenore enters a fashion competition, despite cautious resistance from her insecure mother (Missi Pyle).

Writer/director Claire Ayoub demonstrates mastery of tone and control over narrative beyond her years. Scenes are properly paced and wholly relevant to the overall story, while still entertaining viewers every step of the way. Although sprinkled with occasionally corny one-liners and perhaps a bit of a predictable plot, very few films feature characters like these so unapologetically. A fresh take on a familiar structure is more than welcome given this singular spin. Ayoub’s clever filmmaking ensures that common teenage fears are put on full display, not just mentioned. During a time when Lenore goes to the doctor for a physical, she is told to weigh herself. The entire moment is long and embarrassing, emphasized by an unmoving camera positioned directly on Lenore’s face, and contrasting the quick cuts of other scenes.

Discovering capable, up-and-coming, and adolescent actors who can portray a level of realism may be difficult, but the talented ensemble successfully emulates nostalgic feelings often present in high school. Mia Kaplan’s evolution is astounding to watch. She begins as a horribly timid girl, anxious at the thought of conversation, and becomes a lively young woman with a thirst for life. It does not happen all at once either, with her extraversion occurring very naturally as each new event comes her way. Although Jemima Yevu can seem too performative at certain points, her portrayal of Lenore’s confident yet troubled best friend shows Kayla as an incredibly layered character. Missi Pyle is a believably problematic parent who projects many of her own insecurities onto her daughter. The cast elevates an already powerful script, bringing a much-needed message to center stage.

Check out Empire Waist’s new fashion line when it hits theaters on Friday, September 27.

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