"When our Natalia Keogan reviewed The Pink Cloud out of last year’s Sundance, it was the first time the festival had gone virtual. Due to the pandemic, the film fest was 100% online (something that 2022’s edition will be repeating this week), but it also made some of its films hit closer to home. The Pink Cloud, for example, was written in 2017 and shot in 2019, but tells the story of a world where people are forced to stay inside their homes because of a world-spanning rose-tinted gas. Naturally, things play out with some familiarity—if not beat-for-beat accuracy."

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